Before the emergence of Victorian design styles mid-nineteenth century, the British adopted geometry, order and symmetry of Classical Greece and Roman architecture. Neoclassicism was an antidote to the overly elaborate styles such as Baroque , which emerged from British interior design renaissance. The Interior British design step through many changes since the industrialization and mass production made products and options arise for the middle class at another time were only available to the upper classes. The simple neoclassical equilibrium symmetry Victorian interior changed to symmetry, harmony and printing.
Neoclassicism adopted the Greek and Roman symmetry discovered in archaeological excavations. The symmetry and proportion of households neoclassical seen on the doors centered, balanced windows, columns and porticos with identical wings. The industrialism, mass production and the rise of the middle class resulted in a conflict in the interior design styles. The neoclassical symmetry was popular in some circles, as the aestheticism with his rejection known as Victorian style for traditional design styles such as classical Greek and Georgian. In most Victorian houses, order and control give way to excesses.
The houses of the Victorian era, especially the rooms where visitors are received, were filled with furniture, knickknacks, brocade or velvet curtains and ornaments of all kinds. The decor included heavy fabrics, many pieces of furniture and walls covered with prints and print complex. The growing middle class preferred the overly busy, crowded interior that served as sample of their new social status. The homeowners showed objects in each room and on every surface indicating their interests and aspirations.
Asymmetry and chaos
The Victorian-era architects adopted asymmetric style. The interior of the houses available and obvious symmetry focused on achieving balance through colors, prints, and textures. The intricate designs in wall and floor finishes contrasted with colorful fabrics. Special techniques are used to apply the paint and texture to walls. The room filled with many colors, textures and designs of the Victorian era may seem to have little style and symmetry.
The symmetry continued in the Victorian interior design to balance contrast and decorative elements. Symmetry is achieved not through harmony as an important part of the definition of symmetry as the balance. Where modern eyes see disorder and chaos, the relationship between objects was apparent for the people of the time. An example is the choice of colors based on “harmony of contrasts” or “harmony by analogy”, which uses a color in various shades. A Victorian interior design description referred to the “harmonious color bands” applied to walls and ceilings and complex patterns of wallpaper and paint.